Susan Glaspell


Susan Glaspell

Susan Keating Glaspell


Born July 1, 1876, in Davenport, Iowa, Susan Glaspell published news articles and short stories even before entering Drake University, from which she received a degree in philosophy. Over the course of her career, she wrote more than fifty short stories, nine novels, fourteen plays, and a biography of her husband, George Cram (Jig) Cook.

It is difficult to imagine the Provincetown Players (1916-1922) without Glaspell, a founding member who acted as well as wrote plays and served on the group’s Executive Committee. Eleven works by Glaspell -- five one-acters, four long plays, and two short comedies co-authored with Cook – appeared on the Provincetown stage.

Glaspell’s career in the theater began with Suppressed Desires, a spoof of Freudianism that she composed with Cook. In the summer of 1915 Suppressed Desires joined Neith Boyce’s Constancy as the first offerings by the group of friends who would later form the nucleus of the Provincetown Players. This was followed in rapid succession by, among other works, Trifles, The People, Close the Book, The Outside, and Woman’s Honor.

Although the Provincetown Players staged only a few full-length works, that number included four by Glaspell: Bernice, Inheritors, The Verge, and Chains of Dew. The Verge has in recent years become one of Glaspell’s most popular works. A symbolic play in which the protagonist, Claire, sometimes speaks in verse, The Verge dramatizes the fine line between genius and madness as well as the inadequacies of traditional gender roles and patriarchal language.

After the demise of the Players, Glaspell wrote only a few more works for the stage. Alison’s House, inspired by the life of Emily Dickinson, earned her the Pulitzer Prize for Drama in 1931.

Glaspell made still one more contribution to the American theater. During the Depression, the government set up the Federal Theater Project (FTP) to provide jobs for unemployed actors, playwrights, directors and other stage personnel as well as to bring dramatic performances to audiences of limited means. As head of the FTP’s Midwest Play Bureau for nearly two years, Glaspell led a team that collected and evaluated promising scripts. When she left that position she returned to her beloved Provincetown to write novels and her last play, Springs Eternal, which was never produced. Glaspell died July 17, 1948.

By the mid twentieth century Susan Glaspell had been reduced to a theatrical footnote, primarily remembered -- if she was remembered at all -- as the author of Trifles and the “discoverer” of Eugene O’Neill. As feminist scholars began to explore the works of forgotten women writers, however, the range, depth and innovation of Glaspell’s canon gained renewed appreciation. Scholarly attention, spearheaded by The International Susan Glaspell Society, has resulted in fresh stagings of her works by companies throughout the world.

Her Works

1916 | Drama
The county attorney, the sheriff, and a neighbor gather at the isolated Wright farmhouse on a freezing winter day to try to discover who murdered John Wright. His wife, Minnie, has been taken into cus…
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Woman’s Honor
1918 | Comedy
The play is set in a conference room in the sheriff’s home. Young Gordon Wallace stands accused of killing a man but, for fear of ruining her reputation, refuses to name the woman who can give him an …
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The Verge
1921 | Drama
The protagonist, Claire Archer, is desperately in search of new botanical forms, a symbol of her efforts to go beyond the limitations conventionally placed on women. The first and third acts of the pl…
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1921 | Drama
Act One is set in 1879 in the Morton household. Silas Morton is being pressured by the town to sell his land for municipal purposes. They offer a good price, but he decides to donate his land instead …
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Alison's House
1930 | Drama
It is the final day of the 19th century, and the last day the Stanhope family will spend in their home. While they are packing up their belongings, a reporter arrives inquiring about the late Alison S…
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